FiraaQ – A bollywood movie

‘A work of fiction based on a thousand true stories.’ That’s a line that hits you hard, which comes on screen before the movie begins. And when a truckload of dead bodies is emptied in a Muslim graveyard, the reality of fiction strikes a chord! 

Nandita Das who makes her debut as a director does not dwell on one telling moment. That’s the forte of this movie; it makes a point, then moves on, leaving you to draw your own conclusions. And FIRAAQ is a compilation of many such true stories, which has helped this work of fiction. One look and you can see that there has been a lot of research gone into this project. The people who have been highlighted, be it the Muslim husband and his Hindu wife who are preparing to relocate to Delhi; or the Hindu wife battling with guilt for not opening her doors to a helpless woman chased by a mob; or even the little boy, Mohsin, who walks aimlessly on the streets in search of his father, after his entire family has been murdered. 

CHECK OUT: Will Nandita Das’ film FIRAAQ meet with success?

The movie ends abruptly with the little boy walking into a transit camp, refusing to play with children his age and looking aimlessly at the camera as the lights go out.

The film is based on a 24-hour period; one month after the riots broke out in Gujarat. Most of the stories have no connection with the other; they are individual set pieces, designed to drive home the point of the hopelessness of hate and violence. Of its disastrous after-effects, of the deep, traumatic mental scars it leaves behind. It also drives home the point of ‘mob mentality’, which has no meaning or direction. 
CHECK OUT: FIRAAQ is not about mindless entertainment

Kudos to Nandita for tackling such a controversial subject. It’s filmmakers like these with steely resolve who surprise many with a conscience-tweaking product

GendaFool : Delhi6

Saiyaan chhed deve
Nanad chutki leve
Sasural genda phool

Saas gaari deve
Dewar samjha leve
Sasural genda phool

Chhora babul ka angna
Bhaave dera piya ka ho
Sasural genda phool

Saiyan hai vyapaari
Chale hai pardesh
Suratiya nihaarun
Jiyara bhari hoye
Sasural Genda phool

Saas gaari deve
Devar ji saamjha deve

Chooda babul ka angana
Bhave dera piya ka hooo

Bushat[2] pahene
Khayike Beda Paan
Pure raipur se alag hai [1]
Saiyan ji ki shaan

Chooda babul ka angana
Bhave dera piya ka hooo

Oye hoye hoye 
oye hoye hoye
oye hoye hoye

Watched this song yesterday for the first time and I am addicted to it. Already listened it for 50 times. Having such an addiction to a song after a long time. Last one i remember was with “Naina Thag lenge” from Omkaara.

Well anyways, lyrics are just too good. “Sasu ji gaali devien, devarjee samjha devien……” Too good and too real. I was discussing it with my friend she and came to know that “Gendaa”(Marigold, english name) is unique in the sense that every leaf/petal of the flower is a flower in itself scientifically. I also remember something similar. Anyways, If she is saying, it must be right. She knows about such complex things better than anyone else i know, so no arguments. 

So if I have got it correctly, song writer wants to say that every new relation a girl gets after marriage is like the leaf of Marigold flower, i.e. a flower in itself. And all these flowers come together in a single pack – “The Sasural“. Such a sweet lines. I wish they were true for every girl. Unfortunately they are not. It’s not a Marigold for every girl. For some it’s a “Gandaa phool” and not “Gendaa phool” .

Anyways, I think I must not spoil your mood. Listen the song if you liked the lyrics.

Slumdog Millionaire: A R Rehman

Krazzy 4

Hi,

People are waiting for this film. This may be one of the good films this year because Rakesh roshan is known for his uniqueness! Of course the music is by Rajesh roshan.

This is in talk because of 3 hot item songs in this film! yah its true. Total three item songs.

Shahrukh khan has done the title item song.
Second one is done by hot hot Rakhi sawant which is very very hot!
And it is also said that Hritik roshan is gonna do item song, but it is not yet shown on TV promos.

Hats off to Rakesh Roshan. He really knows how to add features in a feature film 🙂 Three item songs from 3 very popular and hot actors ( Ya rakhi is exception to this quote 🙂 ) and all four actors in the film are really actors and done a very good job before also!

And also one more thing. The music director vishal from pair of ‘Vishal-shekhar’ is i think goint to start singing! he is gonna sing 4 songs in this release. Keep it up vishal, will see how you do singing? we hope it will be good like your music.

Music: Rajesh Roshan
Director: Jaideep sen
Lyrics: Javed Akhtar
Writer: Ashwani dhir
Actors: Arshad Warsi, Irfan khan and Raajpal yaadav.
Music Lable: T-Series.

CD covers attached.

Sunday

Movie Review : Sunday

Director : Music : Lyrics : Starring :  Rohit Shetty  Sandeep Chowta, Suroor (Pakistani Band), Daler Mehndi, Shibani Kashyap, Raghav Sachar, Amar Mohile  Farhad, Sajid, Kamran Bari, Daler Mehndi, Virag Mishra, Aditya Dhar  Ajay Devgan, Arshad Warsi, Ayesha Takia, Irrfan Khan, Anjana Sukhani. By Martin D’Souza, Bollywood Trade News Network view SUNDAY movie stills Picture this: There is a cold blooded murder. Murli Sharma suspiciously hovers in the background near the place where the body is found. Great beginning. Director Rohit Shetty deserves a clap, just for the beginning. For the next half hour the movie meanders along. You see goons who can easily pass off as buffoons trying to kill Ayesha Takia. She has no clue why, nor do we. During this time Rohit Shetty gets busy sketching the character played by Ajay Devgan. I guess, even he has no clue as to what to do. The end is something you would want someone to sit near you and explain! And yes, Murli Sharma is the one who had tucked Takia into her bedroom after finding her wandering on the streets of Delhi. What he was doing at the crime scene in the first place no one knows!!! The story is about a day which goes missing in Ayesha’s life which connects what is happening to her now. It appears that Takia had gone to a night club with her friend on Saturday night and her drink was ‘spiked’ by two guys. From then on she spirals out of control on the streets of Delhi meeting five people along the way. The Sixth one tucks her in bed. She sleeps the entire Sunday. That explains the two milk packets kept outside her door on Monday morning. Makes sense? Not yet, right?. Forget it.

Mithya

Movie Review : Mithya

Director : Music : Starring :  Rajat Kapoor  Sagar Desai  Naseruddin Shah, Neha Dhupia, Ranvir Shorey, Vinay Pathak. By Martin D’Souza, Bollywood Trade News Network view MITHYA movie stills MITHYA is a very complicated film dealt with in an uncomplicated manner by director Rajat Kapoor. The director handles the complexities of the film and the central character with aplomb to first set your creative juices flowing as a viewer. Then, long after the credits have rolled, you begin to unravel the mystery of the plot. There is finesse in direction and maturity in handling of the story. When you look at the film from the director’s point of view, you can feel his mind at play juggling with the various characters to paint a gripping drama. Though Ranvir is his trump card, he shuffles the other cast members around him to position them at telling points which lift the film to a different level. And when the final bullet pierces Ranvir at the end, your mind races back to Wolfgang Petersen’s 1991 thriller SHATTERED, that had a super climax. But here, it’s the anti-climax which works as the climax. All the while you thought Ranvir was faking a memory loss, and were waiting for the director to deliver his final hit. But that does not come. What comes back is the recollection of his memory! For once the director has out-thought the viewer!! Ranvir Shorey (VK) is a small town actor struggling to make it big. Unknowingly, he lands himself into the very vortex of underworld crime. His only fault – his face resembles that of the reigning Don (a double role played by Ranvir). Wanting to have the best of both worlds, the rival gang headed by Naseeruddin Shah (Gawade) abducts VK and puts him through physical torture before he agrees to impersonate the Don. Neha Dhupia (Sonam), who is Gawade’s mistress, has a big hand in helping him (VK) make up his mind. She tells him that her brother has been abducted by Gawde; hence she is in the plot. By now the two are in love and VK agrees to impersonate. From then on the movie moves on at a brisk pace keeping you on the edge of your seat.

Jodha Akbar

Movie Review : Jodhaa Akbar

Director : Music : Lyrics : Starring :  Ashutosh Gowarikar  A R Rahman  Javed Akhtar  Hrithik Roshan, Aishwarya Rai, Sonu Sood, Kulbhushan Kharbanda, Suhasini Mulay, Raza Murad & Punam Sinha. By Martin D’Souza, Bollywood Trade News Network The timing of Ashutosh Gowariker’s Magnum Opus could not have been better. A love story set in the 16th century between the Mughal Emperor who ruled Hindustan (now India), Jalaluddin Mohammad Akbar, and a fiery young Rajput princess, Jodhaa. With love as the backdrop, and highlighting the Hindu-Muslim marriage of alliance culminating in love and respect for one another, a day after Valentine’s Day was an apt moment for its release. Moreover, with hate politics being on the agenda, the timing of its release could not have been better. JODHAA AKBAR surely comes as a soothing balm to every Indian. If watched closely, it sends a message loud and clear that country is above everything else, even self! For our warring politicians, for this message alone, this movie is worth many trips to the multiplex. Viewed as a love story, it portrays beautifully, the defiance of Jodhaa, the Rajput girl who is asked to marry Akbar, a Muslim Emperor. Not one to bow down or suppress her voice, Jodhaa expresses two strong wishes to the Emperor. Only if he agrees will she marry him. The first being he will not force her to change her religion and the second; he will give her a place in his palace to have a temple of her own. Both wishes are granted! Then comes the tough task of the Emperor trying to get close to Jodhaa. Slowly, she teaches him that winning battles is not everything… he learns to win her heart as well. For lovers, this is a beautiful rendition of a perfect love story.